
FTV Review
Chanel Spring Collection
Karl Lagerfeld's Spring collection for Chanel in Paris flaunted
everything from lingerie and swimwear to evening dresses. The reactions to
the show ranged from "unwearable" to "unbeatable".
Judy McDonald-Clin D'Oeil: "I loved the show. I thought he was
being realistic this time. Girls aren't wearing everything but the
kitchen sink. The jewelry was simple. For me it was one of the best shows
this season. And the clothes are very wearable."
Lotte Fredj Danish Journalist : "Some things were really
awful.
They were there for shock value - for the sake of the show. There were
things that were wearable and they're going to sell like hot cakes."

Kal Ruttenstein Bloomingdales : "The underpants seen under the
dresses isn't going to catch on, on the streets of New York. But Karl
always has a little joke in his collections."
Karl Lagerfeld: "It is underwear. Chanel became famous because she
made dresses out of jersey. Jersey was mens underwear material and it was
much more shocking in those days because women weren't supposed to know
that men wore underwear. And Chanel made dresses from them. Today
everyone knows that we have tights, bathing suits and strings under our
clothes it's a part of our everyday life."
SSuzy Menkes International Herald Tribune : "It was a great Chanel
show. It was so full of energy and it was so well done. I suppose people
who had come to a Chanel show for the first time would think, "My God,
G-strings in a Chanel collection! Is this the end of fashion as we know
it?" But you have to remember that under all this disco mania that is on
the runways, there's some wearable fashion underneath."
Chrystelle - The Flavour of the Moment
Judging by the amount of designers that are using Chrystelle in their Spring
collections, it's obvious that more than just a few believe that she has
top model potential. And nobody is more surprised than 21 year old
Chrystelle - a newcomer to the modeling world.
Chrystelle St. Louis Augustine: "To me, it's a job. I've thought
about it a long time, since I was a kid. I was always the tallest in
class. Everybody always said "You should be a model". When I look at other
models, and I think "How am I going to walk? How do I turn at the end
of the runway?", I get really stressed.
Chrystelle was booked into 35 Spring collections. Until this year she'd
never modeled before.
CA: "What's strange is that some people say to you that you're
great, but you don't understand because you're just being you. You want to
know what is it that they like, is it my hair, my personality? It's
strange."

A college student, her first gig was Gaultier six months ago. Covers and
magazine spreads quickly followed.
Jean Paul Gaultier: " She has a beautiful face, and strong with
it. I'm not surprised at all that she's working more and more."
Eric Wright Lagerfeld Design Asssistant : "Why do we use her?
It's the colour of her eyes, the colour of her skin and the way her hair
is. With models you don't sense why it is that they are good and why
they're not good. They have a special image, it's a a feeling for me
inside."
KL: "She's not aggressive. There is something poetic about her. It's her
hair. The colour of her eyes. She's very elegant."
All we get on this edition of Fashion TV from Betsey Johnson was one measly
quote. Still, the pictures speak for themselves.

Betsey Johnson: " I think it's my best collection ever. Because
it's the way I like to dress. It's all mixed up, no fashion message here
whatsoever."
Tribal Street Styles
From the hipsters of the early Forties to the cyberpunks of the Nineties,
the street style exhibition at the Victoria and Albert Museum takes a
look at the sub-cultures that have taken to the streets in the last half
of the century.
Ted Polhelmus Co-curator of street style exhibition : "I studied
anthropology, and what I was always interested in was how clothing and
body art is used to show tribal membership. And I was looking at this in
terms of the Amazon or Africa. Then I thought, this is the same thing
that we have here. This is what street style is and this is what
distinguishes it from fashion. Here at the exhibition we have 58 tribes."
Catherine Dingwall Dress Curator : "When we were researching for
the exhibition, we wanted to look into tribes to see if we could define
style. But we also had to have an ideology that went with it. And that the
people had something in common not just in their clothing. In their
music, ideology, and similar lifestyles, all of it would go together to make a
tribe."
TP: "Fashion is taking style and leaving the substance. This stuff
has to grow from the beginning. Goth all originated from the punks. They
said do it yourself. All the people that we see at the exhibition today
did it themselves. Whether they be Teds, Rockers, Goth, Mods, Technos,
they said "I'll have a bit of this and this. I'll do my hair this way".
Everyone today is a stylist, and if you're not, you're out of it."
Last year, Ralph Lauren products generated 3.7 million dollars in sales.
He's been called the "Quintessential American Designer".
This time around, it was a very unadventurous (read boring) Lauren collection.
Rather remiscent of the Stepford Wives.

Ralph Lauren: "Women want to wear beautiful clothes, they want to
look good and they want to wear sexy clothes at the right time."
Loucas: "It was as American as apple pie. The whole show was."
Kal Ruttenstein Bloomingdales : "This was one of the best shows either
side of the Atlantic."
RL: "You're always regenerating yourself. I see boys and girls, men
and women and I decide to see what I can do. And that's what I do. If
you're a writer you can write it, I'm a designer so I can design it."
David Lauren Takes on the Publishing World
Ralph's 23 year old son is the founder of the magazine 'Swing' (which has
recently been launched nationally). He
created the magazine in 1990 while still a student at Duke University.
David Lauren Editor/Publisher Swing Magazine : "Basically, the world
in history has been led by people in their twenties. 'Swing' is
about people in their twenties, and the spirit of being in your twenties.
It could have been published in the Fifties or 2050. I think that's
what keeps us from being passé, setting in with in any trends. There's an
appeal to it that's really about growing up and establishing oneself in
the world.
There were some great twenty somethings in American history. We picked
Al Capone for the cover of our second issue because he was in his
twenties when he corrupted the world. Not that we're praising him -
it's just interesting that one so young could accomplish so much, even though
it was through crime."
This is a magazine put together by myself and my peers and we're all in
our twenties. That's one of the things I'm most proud of.
What we wanted to do was create something that was clean, simple,
very American, and had quality with a traditional feel. No-one has ever done
anything that is targeted at this age group.
My parents did a very good job of showing us that there's another
world out there besides fashion. You try to do your own thing, and I'm
trying to reach an audience in a different way than my father. And I think
that if I've inherited my parents' flair for life and business, I'm lucky.
And that's great."
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